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Rita Hayworth: A Photographic Retrospective
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Being Rita Hayworth: Labor, Identity, and Hollywood Stardom
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If This Was Happiness: Biography of Rita Hayworth

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Gilda
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"Rita Hayworth - Amado Mio"01:11   MP3 128k
"Gilded Promises - Put the Blame on Mame"00:28   MP3 128k
"Gilded Promises - Long Ago (And Far Away)"00:33   MP3 128k
"Quinn Lemley Is Rita Hayworth: The Heat Is On! - Bewitched, Bothered and Bewildered {From Pal Joey}"03:28   MP3 128k
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"Big Bands - Tommy Dorseyand Rita Hayworth"28:26   MP3 56k
"Quinn Lemley Is Rita Hayworth: The Heat Is On! - Put the Blame on Mame {From Gilda}"04:46   MP3 256k
"Gilded Promises - Make Way for Tomorrow"00:35   MP3 128k
"Rita Hayworth Under A Tree"00:30   WINDOWS 128k
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Rita Hayworth



'''Rita Hayworth''' (October 17, 1918 – May 14, 1987), was an American actress of Spanish and English descent who reached fame during the 1940s as the era's leading sex symbol. She was sometimes called "The Love Goddess" or "The Great American Love Goddess," and was celebrated as an expert dancer and great beauty.

Biography


She was born '''Margarita Carmen Cansino''', the daughter of Eduardo Cansino (Sr.) and Volga Haworth (sic) in Brooklyn, New York. The Cansinos, of Roma ancestry native to Spain, were a famous family of Spanish dancers working in vaudeville. Hayworth was trained as a dancer from childhood, and was on stage by the age of twelve.

First attracting the attention of film producers as part of the dance team "The Dancing Cansinos," Hayworth was signed first by Fox Studios in 1935, then freelanced for several years before signing with Columbia Pictures. After a name change from Rita Cansino to Rita Hayworth, and painful electrolysis to raise her hairline, Rita made a splash as part of the ensemble cast in Howard Hawks' ''Only Angels Have Wings'' (1939). ''The Strawberry Blonde'' with James Cagney followed in 1941. Finally her sizzling "other woman" part in Rouben Mamoulian's ''Blood and Sand'' (1941) with Tyrone Power solidified her new-found stardom.

Hayworth's fame as a beautiful redhead arose from this Technicolor film. The "love goddess" image was cemented with Bob Landry's ''Life'' magazine photograph of her (kneeling on a bed in a nightgown), which caused a sensation and became (at five million copies) one of the most requested wartime pinups. During World War II she ranked with Betty Grable, Dorothy Lamour, Hedy Lamarr, and Lana Turner as the pinup girls most popular with servicemen. Rita would soon become Columbia's biggest star of the 1940s, under the watchful eye of studio chief Harry Cohn.

Hayworth's well-known films include the musicals that made her famous: ''You'll Never Get Rich'' (1941) and ''You Were Never Lovelier'' (1942) (both with Fred Astaire), ''My Gal Sal'' (1942) with Victor Mature, and her best known musical, ''Cover Girl'' (1944) with Gene Kelly. Although her singing voice was dubbed in her movies, Rita was one of Hollywood's best dancers, imbued with power, precision, and unearthly grace. Cohn continued to effectively showcase Hayworth's talents in Technicolor films: ''Tonight and Every Night'' (1945) with Lee Bowman, and ''Down to Earth'' (1947), with Larry Parks. Her erotic appeal was most notable in ''Gilda'' (1946), a ''film noir'' directed by Charles Vidor, which encountered some difficulty with censors. This role — in
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